Episode Transcript
WEBVTT
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Well, let's hear God's word now. Remain standing if you are able.
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From first chronicles sixteen, four through
seven, then he up, that is
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David. Then he appointed some of
the Levites as ministers before the Ark of
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Jehovah, to invoke, to thank
and to Praise Jehovah, the God of
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Israel. Asaf was the chief and
second to him, where Zechariah, Jel
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Shemari, Shem Sheemery, moth Jehiel, Matahafia Eliab ben and IAH, Obed
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Edom and Jet Eel, who were
to play Harps and liars. Asaf was
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to sound the symbols, and Ben
and Iyah and Jahaziel, the priests,
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were to blow trumpets regularly before the
Ark of the Covenant of God. Then
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on that day, David a first
appointed that Thanksgiving be Sung to to Jehovah
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by ASF and his brothers. May
God bless his word to us. Please
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be seated. As we have been
going through these chapters and first chronicles,
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the chronicler has been recording for us
this history, a history of God's people,
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first beginning with a number of genealogies, then moving to the downfall of
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Saul and then contrasting Saul's great downfall
as the king over Israel, with David's
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ascension as the king over Israel in
large part of very happy ascension, a
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good a good thing, and in
that we have been seeing how David points
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US forward to our own king,
King Jesus, who sits on his throne,
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having ascended to the right hand of
God, the Father Almighty, who
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rules and reigns over his people,
who fills the sanctuary with his spirit,
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yes, even us. And as
we have seen this happen in Chapter Sixteen
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in particular, we're seeing some of
the particulars of what that means, what
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it means to belong to a kingdom
that is ruled by God and ruled by
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his anointed servant. In the first
three verses of Chapter Sixteen we considered God's
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great provision for his people, the
blessings that come from the king ascended on
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high. We considered it in various
ways, in their communion with another,
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with one another, the blessing that
they received from the Lord, in the
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ways in which he provides for them. Now, in Chap and now in
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Chapter Sixteen, in verses for through
seven, we see another aspect of that
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kingdom, another aspect of what it
means to belong to God, to be
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blessed by him under his anointed King. In particular, we see David appointing
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some of the Levites. You remember, the Levites are a particular tribe and
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Israel devoted to helping and serving before
the Lord. He appoints some levites as
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ministers, as servants before the Ark
of the Lord, the Ark of Jehovah,
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or Y'All way, he appoints these
levites in particular to do a particular
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thing, to serve in a particular
way God. They're being represented and in
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the Ark and connected to it by
his promises calls. The calls David to
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appoint these Levites to Minister and serve
in three particular ways, to invoke,
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to thank and to praise. This
is their job. Now you can see
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why it's so great to be a
minister. You get to invoke and praise
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and thank and service to the Lord. The Levites, in having no land
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of their own, had nothing to
complain about out they had a great and
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wonderful task. But you notice a
very not only are they told to do
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these particular things, invoke, thank
and praise, but there to do it
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in a very particular way. In
music, Asath and his brothers, as
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they're called in verse seven, are
appointed to these particular tasks, singing and
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playing, making music. Even some
specific instruments are listed, Harps, liars,
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symbols and other portions of God's word. We read of even other instruments.
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Throughout the psalms there are commands to
worship God and play to him,
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to make music with these various instruments. This is how they were being called
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to serve, this is how they
were called to minister, and it's important
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thing to observe for a number of
reasons which will consider this evening, but
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I'll begin by just noting that music
is something that is very important to the
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Lord. There's a reason that we
don't just invoke and thank and praise with
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speaking, but with singing, playing
instruments. It's a part of who we
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are. It's how we express our
selves. That's how God desires us to
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express ourselves and even to move us
in particular ways. From the Scriptures and
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outside of the Scriptures, we know
that in the from the very earliest parts
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of human society, when humans were
first establishing culture, they made music.
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Now we see that, particularly in
the first place among canes, line and
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his family. They are the ones
that do that work and by and large,
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they are the ones that do the
bulk of the cultural work. They're
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at the beginning. But just because
it begins and originates among those people doesn't
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mean that it doesn't belong to God's
people as a part of who they are,
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as a part of what they do
and part of their lives. Throughout
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the Scriptures we see God's people singing
and playing instruments and various contexts, both
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in and out of worship. One
of the first examples we see of this
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is an exodus fifteen, when we
read that Miriam and all the women went
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out singing with T or dancing with
tambourines. I suspect that all the women
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is not meant every single woman,
but even if it's a lot of women,
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that's a lot of Tambourines, a
lot of tambourines that belong to Israel,
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a part of who they were.
In other places we have mentions of
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flutes and stringed instruments, all kinds
of things. Now there are ways in
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which music in the life of Israel
and other parts of the ancient world was
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different than it is today. Today, music is primarily a performance kind of
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thing. It's something you go and
watch. For most of human history,
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music is something that you participated in. When I taught music lessons, every
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now and then I would see someone
would come in who had never there,
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had never heard a Lullaby, had
never been sung to by their mother or
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father. Their first experiences participating in
music were there at ten, twelve years
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old, picking up a cello for
the first time. Up till then it
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was very it's it was very much
just watching kind of thing. In the
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ancient world it was very different.
Music was a part of worship, it
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was a part of work, it
was a part of I'm telling stories,
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a part of all woven in as
a part of all of life. We
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read of various instruments particularly attached to
the worst it worship of Israel. The
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high priest, for example, was
to have bells, bells sewn around his
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garment, his robe. We read
that David made instruments, that he used
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an instrument to soothe saul when he
was a troubled and even in heaven.
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We read that there are twenty four
elders. John has this vision of twenty
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for elders who have harps in one
hand and bowls of incense, which are
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the prayers of saying at the saints
in the other why music then? Why
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not just invoke and thank and praise
the Lord? Why does God want to
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attach that to song and Melody?
Well, there are reasons that scripture gives
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us for these things, reasons that
are probably fairly obvious to you, but
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just to say them. Music is
a powerful thing. It has a powerful
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effect on us. It does things
one way. Music is used as simply
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as a signaling kind of thing.
In the psalms we read of horses being
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signaled or people being signaled to come
and do something with trumpets or other things.
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The trumpets in particular were used in
Israel to call people to worship.
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I'm to announce victory over an enemy. But music also has an emotional power.
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It moves us, affects us,
and God's speaking to this musical aspect
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of our lives is one of the
ways which we are reminded that we are
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not just thinking creatures, but we
are emotional creatures as well, and that
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when God works in us, he
works on all of us. I'm not
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just one part of us. The
power of music, I hope, is
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something that you've experienced in your own
life, whether that's in worship or out
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of it. Out of worship,
I remember being at any use summer music
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camp and hearing Samuel Barber's knoxville summer
one thousand nine hundred and fifteen and being
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however old a eighth grader is,
I think I was crying. It was
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just so beautiful. Other pieces like
that of hit me that way, Greky's
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third symphony and other things. Earlier
this week someone was telling me about queuing
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up Aaron Copeland's fanfare for a common
man as they came driving up into a
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national park. That tune, by
the way, Aaron Copeland's Fan for for
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a common man is purposefully meant to
be very grand. He uses it to
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speak against the Nazism and they sort
of Supermann that was being applauded in certain
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parts of the world. Aaron Copeland, this American composer, says no,
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I write a fan for for the
common man. He wants to announce what
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it means to just be human and
it moves us, it affects us,
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and these are just cultural examples,
things that move us powerfully. Perhaps you've
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experienced this in worship as well.
I'm chills going up and down your spine,
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saying and can it be, or
some other tune that speaks of God's
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grace, of his glory, of
the things that he has done. Music
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has a very powerful effect on us
and it's an effect which some people have
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capitalized on and abused and some people
have feared. You remember Daniel, for
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example, in Babylon and and the
people of Israel being called by Nebuchadnezzar two
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at the sound of all the instruments, bow down and serve an idol.
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Instruments are, of course, used
in all kinds of terrible ways. They're
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used to manipulate people and affect people
and very powerful ways. But Abuse,
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we must remember, does not determine
use and unfortunately many in the Christian church
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have felt that way have had this
very negative reaction to instruments in general.
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This is true not only of really
from all circles of the church. Thomas
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a Quinas, for example, which
a many people quote, a speaks of
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instruments as being only good for pleasure, instruments not doing any good and creative
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increase, creating good dispositions within the
soul. I'm braw a Dabney a southern
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Presbyterian talks about instruments. Is Merely
a dead, lifeless mechanical thing that can
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do no good. But God speaks
differently. God commands these servants of his
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to lift up their mouths and blow
trumpets, to take their fingers and play
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the strings, to sound the symbols
together, all in honor and glory and
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him. This is one of the
first places we see it. There was
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once more a little bit earlier in
first chronicles. This is one of the
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places we see it here and it's
going to be a theme that comes up
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a few other times, even as
David passes on the Kingdom to Solomon and
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the glory of the Lord descends on
the temple, as the people are playing
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and making and music and singing,
these things remind us that, yes,
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music is very powerful and it has
been abused and it has a been used
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for great evil, but it is
a tool which, in the hands of
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the Lord and his people, can
do good, and God intends it to
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do good here, as he institutes
his kingdom, as he brings his king
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to the throne, as he establishes
himself, as the ARC is placed there
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in Jerusalem, He commands that music, this powerful aspect and thing that has
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an effect on our emotions would be
attached to his worship, and he commands
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it in these various ways. So
you can see why God is pleased with
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the music of our mouths, of
our fingers. It's in this passage and
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similar passages like this, that Bach
stood himself firm against various Lutheran pietists and
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stood with the Orthodox, finding his
calling and service to God. But this
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passage is more than God's Amen to
music and music and worship. As we
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began with, you remember that David
prefigures Jesus, and so this kingdom looks
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ahead to the kingdom to come.
When you think about that, I hope
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that sparks a little bit of thrill, a little bit of anticipation and excitement
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to know that one day you will
hear the heavenly angels, the choires of
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Heaven, your own voice resounding with
them in praise and glory of God.
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These harps and perhaps other instruments of
being played, worship and music pointing together,
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we see that God is concerned not
only with words being rightly spoken,
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but our hearts being rightly moved.
I'm going back to Psalm Ninety six,
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which we heard earlier, begins.
Oh, sing to the Lord, a
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new song, sing to him all
the earth. And then it gives this
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reason. Splendor and majesty are before
him, strength and beauty are in his
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sanctuary. These things are connected.
Because of God's splendor, because of his
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beauty. Song, music, has
a right place before God. It should
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affect us in this way. The
songs that we've Sung, songs that I've
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chosen, all of them thus far, have spoken in one way or another
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of this kind of thing, either
a command to sing and make music or
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a call about making music. And, unsurprising to me, in the three
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hymns you chose before worship also all
spoke to that in some way or another.
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Oh for a thousand tongues to sing
right, or Psalm one, which
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called about called us to make to
sing to the Lord with a cheerful voice,
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or the hymns that are anticipated with
the Kingdom of God. You See,
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this is a natural and wrapped up
part of our lives as Christians.
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My point is it's not an accident
that we sing, it's not an accident
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that we make music and it's not
an accident that we attach to the things
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that we do tunes and melodies.
It's because God is glorious, because he
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is full of splendor and majesty.
And if that's true of David and his
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temple, how much more true is
that with Jesus, in the kingdom that
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has come in him? Now?
There are times in which that Kingdom of
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God, this Kingdom which Christ has
now rules and reigns over, is hidden.
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Many of the outward manifestations of his
glory and his beauty that we see
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there externally in the Old Testament are
in many ways hidden today. But that
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doesn't mean we ought to bury them. It doesn't mean that we ought to
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just become thinking people and not emotional
people either. And as music is very
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much attached to this, we are
right to lift our hearts not just in
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poetry but in song. There are
some things that pass away with the new
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covenant, the sacrifices in particular,
and many, many other things, but
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there are other things that belong to
the old covenant that also belong to the
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new, and music is most certainly
a part of that. Even in this
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passage here, think of the number
of things we have mentioned in verses four
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through seven. We have the ARC, we have the Levites, we have
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people, we have we have the
worship of the Lord. Some of these
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things are indeed, for us,
fulfilled in Christ and we no longer return
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to but there are other things and
which continue to continue on is both a
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necessary and important part of worship.
Are Singing is like that. It while
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we should still sing with reverence and
awe, we should still play in a
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skillful way. We no longer play
in connection with the sacrifices, and just
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as the buildings we worship in are
no longer connected to the Ark. Buildings
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are not prohibited and are a good
and necessary part of worship. We still
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sing. Two songs are a way
in which we lift our hearts up to
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the Lord, in which our hearts
are tuned to Sing His grace. And
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so when we think about our worship, we don't do it as a performance,
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we don't do it is just a
emotional exercise. We do it in
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particular response, in direct response to
the glory and splendor and majesty of Jesus
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and what he has done for us. We may not always have a building
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to worship him, we may not
always have instruments to play or voices that
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work, but when we do it
is right and good to use them and
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to use them for the Lord.
And when we consider our emotions, when
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we consider our hearts, let us
not fear that either, but, by
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God's grace, ask that he would
move our feelings, move our emotions towards
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holiness, to reverence, to joy
and awe, wonder, dependence comfort.
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We ought not to fear our emotions
and the expressions of them that we make
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through music, but use them in
service to God, with thankfulness for the
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kingdom that we have received and anticipation
of the kingdom that is to be revealed.
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May God help us to understand him
as he ought, as we ought,
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and help us to worship him as
he as pleases him. Let us
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pray